#Sigma 16mm 1.4 canon movie
#Sigma 16mm 1.4 canon series

The Sigma 16mm’s Thermally Stable Composite build is dust- and splash-resistant, so that you can use it in adverse conditions. This all makes for a highly versatile lens that’s been designed from the ground up for crop-frame shooters. The Contemporary line is part of Sigma Global Vision and is the perfect blend of image quality and compact size. Sigma applies a Super Multi-Layer coating to each of the lens elements to combat flare and ghosting for contrasty, color-neutral shots. The Sigma 16mm 1.4 DC DN Contemporary is a high performance prime with a large aperture of F1.4 designed for APS-C Sony E-mount mirrorless cameras. This lens’s thirteen-group/sixteen-element optical design includes three “F” Low-Dispersion elements, two Super Low-Dispersion elements, and two molded aspherical elements to help produce excellent sharpness, color accuracy, and clarity while minimizing aberrations and fringing. The stepping motor provides fast, smooth, and nearly silent autofocus operation for stills and video alike.Īdvanced Optics. This chart shows the filter sizes for common Sigma camera lenses, including zoom and prime lenses. The Sigma 16mm 1.4 DC DN Contemporary is a high performance prime with a large aperture of F1.4 designed for APS-C Mirrorless cameras including Sony E mount and.

Its nine-blade curved aperture makes for smooth out-of-focus highlights. Characterized by its bright f/1.4 maximum aperture, this lens is adept at working in low-light conditions and.

#Sigma 16mm 1.4 canon series

The Sigma 16mm f/1.4 DC DN Contemporary’s fast f/1.4 maximum aperture makes it great for low-light shooting and gives you extensive depth-of-field control for selective-focusing techniques. Combining a comfortable wide-angle design with an ultra-fast maximum aperture, the 16mm f/1.4 DC DN is part of Sigma s Contemporary series of lenses and designed for use with APS-C-format Sony E-mount mirrorless cameras. As with other Sigma lenses in the series, there’s no optical image stabilization.Great for Low-Light Shooting. The E-mount edition of the lens is designed to make the most of Sony’s Fast Hybrid AF system.

#Sigma 16mm 1.4 canon movie

Tested on Canon EOS M5 and M50 cameras, we found autofocus to be speedy and highly accurate for stills, while enabling smooth autofocus transitions during movie capture. Ghosting and flare are also well controlled, and the same goes for barrel distortion. Stop down to f/2 and it becomes fairly unnoticeable. Another bonus is that the wide aperture and short 25cm minimum focus distance enable a fairly tight depth of field and good bokeh, enabling interesting perspective effects.Įven when uncorrected in-camera, vignetting is fairly minimal for such a fast, wide-angle lens. As it turns out, sharpness and contrast are maintained very well at the widest aperture. Naturally, there’s not a whole of point in having a fast f/1.4 lens if image quality doesn’t hold up when shooting wide-open. Super Multi-Layer Coating is also applied to minimize ghosting and flare.Īs we’ve seen with an increasing number of Sigma’s Global Vision lenses for Canon DSLRs, this new M-mount lens is preloaded with data for enabling in-camera corrections for aberrations like peripheral illumination, chromatic aberration and diffraction, where featured in the host camera. The overall aim is to maximize sharpness and contrast, while keeping chromatic aberrations and distortion to a minimum. These include three top-class FLD (‘Fluorite’ Low Dispersion), two SLD (Special Low Dispersion) and two aspherical elements. Sharpness remains very good across the whole image frame, right into the corners (Image credit: Matthew Richards)Īlthough small, the lens packs in no less than 16 optical elements.